Thursday, January 31, 2013

the For Dummies school of Higher Education

the For Dummies school of Higher Education
graphic design for fashion
Image by electrofervor
Maybe in a few months they'll have graphic design for dummies and my degree will be rendered useless by all of the new designers in the world.



Entry for Design Indaba Superstars
graphic design for fashion
Image by *spo0ky*
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Vote for me


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The brief
Show us what makes you an individual. Is it your heritage, your friends, your family? Is it what you love, your memories, your passions? Perhaps it’s the town you grew up in, or the languages you speak? It could be all of them; it could be one of them. What makes you an individual is what makes you different.


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And this is why it represents me:
This is a fantasy abstract self-portrait, exploring personal decoration, fashion and styling. It’s modern interpretation of tribal culture through graphic design.

I’m interested in how different cultures decorate themselves with jewelry, body markings, body modifications, patterns, piercings, masks, painting, tattoos, and headgear.

There is a lot of debate around modern African design aesthetic. I’m not claiming to know what it is or have the answer, but it is something I’m interested in exploring.

The graphic style is inspired by the bold geometric patterns, shapes and colours that are found in many traditional cultures. I also drew inspiration from the dynamism in Modernist Art.

I don’t necessarily have these ideas and academic references at the front of my mind when I design - they are just general themes I’m interested in exploring visually.


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Vote for me and help me get in the national team of Design Superstars - your vote will influence the jury’s decision.

You can vote / rate for multiple entries!

Entry deadline: 10 Feb, for all your creatives in South Africa.


Thank you :)


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Design Indaba Superstars


Fashion factor, Straps n titles
graphic design for fashion
Image by Rebecca Rumble
Broadcast graphic designed for a fashion show.


Aesthedes Work Station for Graphic Design (1982)
graphic design for fashion
Image by Ryan Somma
The Aesthedes, a revolutionary Dutch design, was a worldwide success among graphic designers. It was primarily used for designing advertising and other typographic applications. Five years later it was already fashioned: the Macintosh II cost a lot less and had a much greater choice of programmes.

Visit my blog at ideonexus.com for science news and speculation.

Nice Fashion Design Software For Beginners photos

Summer Ice Man

Summer Ice Man
fashion design mannequin
Image by MAX CHERNITSOV
Spring/Summer 2009
Moscow, 23.10.2008


Summer Ice Man
fashion design mannequin
Image by MAX CHERNITSOV
Spring/Summer 2009
Moscow, 23.10.2008


Summer Ice Man
fashion design mannequin
Image by MAX CHERNITSOV
Spring/Summer 2009
Moscow, 23.10.2008


Summer Ice Man
fashion design mannequin
Image by MAX CHERNITSOV
Spring/Summer 2009
Moscow, 23.10.2008


Summer Ice Man
fashion design mannequin
Image by MAX CHERNITSOV
Spring/Summer 2009
Moscow, 23.10.2008

Wednesday, January 30, 2013

IMG_8558

IMG_8558
school of fashion design boston
Image by Benrajak


IMG_8387
school of fashion design boston
Image by Benrajak


IMG_8316
school of fashion design boston
Image by Benrajak


IMG_8232
school of fashion design boston
Image by Benrajak


IMG_7950
school of fashion design boston
Image by Benrajak

Tuesday, January 29, 2013

Ashburn Connection features Fierce Hugs in April

Ashburn Connection features Fierce Hugs in April
fashion design kids
Image by fiercehugs
The local Loudon County paper ran a nice article about our cool baby clothes.

Fierce Hugs is worn by many celebrity babies including the children of Sex and the City's Evan Handler, Oscar nominee Jason Reitman, Tori Spelling, Broadway Star Marissa Jaret Winokur, Scott & Renee Baio, Entourage's Constance Zimmer, and many more.

Fierce Hugs has appeared in gift sets for People, X17, Life & Style, Extra! and US Weekly.

organic cotton • fair labor • low impact dyes • commissioned original artwork by independent illustrators • cool baby clothes • cool baby shower gifts



Little Girl Model - Red Jade - Aveda Eco Fashion Week – Day 1 – Feb 23 11
fashion design kids
Image by Jason Hargrove
Art Documentary photos from Aveda Eco Fashion Week – Day 1 – at Vancouver Salt Building in Olympic Village, Vancouver, Canada. February 23, 2011.

For eco updates follow @ecofashionweek on Twitter

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All EFW photos are Creative Commons (cc) Attribution, though I do not represent any people, brands, or intellectual properties depicted. Please be respectful of the subjects.

Please credit "Jason Hargrove" and link back to the Flickr photo.

jasonhargrove.com


Father and son (c.1870)
fashion design kids
Image by pellethepoet
Carte de visite.

Studio of Alonzo H. Beal (1833-?), 19 Washington Avenue, Minneapolis. Plain back.

Bought from an eBay seller in New York, United States.

Undated, but c.1870 (when the studio was using this design on their card stock).

A special post for Father's Day, Sunday 4 September, 2011.


Portrait of a boy (1903-1920s)
fashion design kids
Image by pellethepoet
Real photo postcard. Postally unused.

Bought from an eBay seller in Greensboro, United States.

Undated, but between 1903 and the 1920s (when the design of the SOLIO stamp box on the back was used).

Cool Fashion Design Patterns images

In the studio
fashion design patterns
Image by sammy dai
Fashion Pattern workshop, Sep 2012


In the studio
fashion design patterns
Image by sammy dai
Fashion Pattern workshop, Sep 2012


In the studio
fashion design patterns
Image by sammy dai
Fashion Pattern workshop, Sep 2012


In the studio
fashion design patterns
Image by sammy dai
Fashion Pattern workshop, Sep 2012

Nice Korean Fashion Design photos

Hanbok fashion show
korean fashion design
Image by KOREA.NET - Official page of the Republic of Korea
Leading Hanbok designer Lee Young-hee presents modern interpretations of traditional designs in a Hanbok fashion show to celebrate the Korean Culture and Information Service (KOCIS)'s 40-year anniversary on Dec. 19, 2011


Hanbok fashion show
korean fashion design
Image by KOREA.NET - Official page of the Republic of Korea
Leading Hanbok designer Lee Young-hee presents modern interpretations of traditional designs in a Hanbok fashion show to celebrate the Korean Culture and Information Service (KOCIS)'s 40-year anniversary on Dec. 19, 2011


Hanbok fashion show
korean fashion design
Image by KOREA.NET - Official page of the Republic of Korea
Leading Hanbok designer Lee Young-hee presents modern interpretations of traditional designs in a Hanbok fashion show to celebrate the Korean Culture and Information Service (KOCIS)'s 40-year anniversary on Dec. 19, 2011


Hanbok fashion show
korean fashion design
Image by KOREA.NET - Official page of the Republic of Korea
Leading Hanbok designer Lee Young-hee presents modern interpretations of traditional designs in a Hanbok fashion show to celebrate the Korean Culture and Information Service (KOCIS)'s 40-year anniversary on Dec. 19, 2011


Hanbok fashion show
korean fashion design
Image by KOREA.NET - Official page of the Republic of Korea
Leading Hanbok designer Lee Young-hee presents modern interpretations of traditional designs in a Hanbok fashion show to celebrate the Korean Culture and Information Service (KOCIS)'s 40-year anniversary on Dec. 19, 2011

Monday, January 28, 2013

Cool Fashion Design Training images

Clary Sage College Fashion Design
fashion design training
Image by Clary Sage College
Original design by CSC students!


Train wheel
fashion design training
Image by BowBelle51


Train and tram
fashion design training
Image by BowBelle51


TOMMY HILFIGER Fashion's Night Out 2010 / TRAIN in CONCERT - Herald Square, Manhattan NYC - 09/10/10
fashion design training
Image by asterix611
TOMMY HILFIGER Fashion's Night Out 2010 / TRAIN in CONCERT - Herald Square, Manhattan NYC - 09/10/10

Creating Space

Creating Space
3d fashion design
Image by THEMA.FELIX
I blogged the fashion and decor details at Virtual Version


Creating Space
3d fashion design
Image by THEMA.FELIX
I blogged the fashion and decor details at Virtual Version


Creating Space
3d fashion design
Image by THEMA.FELIX
Enjoying the room!

I blogged the fashion and decor details at Virtual Version


working_on_3D_template
3d fashion design
Image by pavan.valerio
Fonte/Source:(www.facebook.com/FrankenstyleClothing)


3D Home Design Program
3d fashion design
Image by rbatina
Playing around with Sweet Home 3D... trying to recreate my Grandparents' house.

I'll probably start the whole thing over from scratch, due to some problems with this first design - but I still wanted to paint and furnish one of the rooms in a similar fashion to the real counterpart. :-)

Sunday, January 27, 2013

Cool Fashion Design Agencies images

coolhunting course, from inspiration to creation
fashion design agencies
Image by coolhunting "tapas"
Cool Hunting

Carol Morgan

Throughout this course you will be immersed in London life and all that makes the city a cool and vibrant place to be. You will see London as a source of inspiration, exploring the culture that will be significant in global trends, making informed artistic choices and researching current and future markets. You can ask yourself questions about where the next generation of artists and designers are generating their ideas, how places once cool are now out of date and where the in-crowd are hanging out. The places you will visit will include art, culture, architecture, history, landscape, food, shopping and music. You will visit relevant exhibitions and museums, and discover places that will not be found in the guidebook. You will experience London from a multi-disciplined design perspective, so if you are interested in trends, both past and future, and wish to develop your research skills then this course will be ideal. The objective of the course is to experience London with a like-minded group and to gain confidence in expressing and experimenting with your ideas. The course is therefore aimed at those who have a natural curiosity, like travel and have an interest in design and fashion.

Carol Morgan is a global trend tracker, identifying what effects design and fashion around the world. She is founding partner in a design and manufacturing company, a brand consultant working with Japanese clients and an experienced marketeer in the cosmetics and beauty industries. She is an Associate Lecturer on BA Fashion: Communication and Promotion at Central Saint Martins as well as a designer of textiles, lifestyle products and accessories.

trend agencies: WGSN.com stylesight.com



getting pic taken by Tillie Ariantho for Avenue Magazine
fashion design agencies
Image by ▓▒░ TORLEY ░▒▓
Tillie's Shop + FOCUS Fashion Agency

photography, photographer props, posing stand, scripted items, prefabs, teleporter, clothing, fashion, scripts, dance floor, freebies, Hugo's Design, Nocturne Modeling Agency, [Tillie] - Tillie's Shop, Sheer Gallery, Focus Fashion Agency, FFA, models

Posted by Second Life Resident Torley Linden. Visit Sheer.


Andromeda 1
fashion design agencies
Image by Harper Ganesvoort
Andromeda is by Ann Otoole at Unique Needs, and is quite a departure from her usual offering -- bondage wear. This is the signature gown in her Empress Collection, and is her entry in the Ewing Fashion Agency Design Awards.

Cool Fashion Design Colleges In North Carolina images

Alberto Santos-Dumont
fashion design colleges in north carolina
Image by dbking
Alberto Santos-Dumont (July 20, 1873 – July 23, 1932) was an important early pioneer of aviation. Although he was born, grew up, and died in Brazil, his contributions to aviation were made while he was living in France.

Santos-Dumont designed, built, and flew the first practical dirigible balloons (i.e. airships). In doing so he became the first person to demonstrate that routine, controlled flight was possible. This "conquest of the air", in particular winning the Deutsch de la Meurthe prize on October 19, 1901 on a flight that rounded the Eiffel Tower, made him one of the most famous persons in the world during the early 1900s.

In addition to his pioneering work in airships, Santos-Dumont made the first public flight of an airplane in Europe, in Paris in October of 1906. That aircraft, designated 14 Bis or Oiseau de proie (French for "bird of prey"), is considered to be the first to take off, fly, and land without the use of catapults, high winds, launch rails, or other external assistance. Thus, most Brazilians consider him to be the "Father of Aviation" as well as the inventor of the airplane.

Much controversy persists around the many competing claims of early aviators.

Childhood in Brazil
Santos-Dumont was born in Cabengu, a village in the Brazilian town of Palmira (Today the place is Santos Dumont in the state of Minas Gerais.) He grew up as the youngest of eleven children on a coffee plantation owned by his family in the state of São Paulo. His French-born father was an engineer, and made extensive use of the latest labor-saving inventions on his vast property. So successful were these innovations that Santos-Dumont's father gathered a large fortune and became known as the "Coffee King of Brazil."

Santos-Dumont was fascinated by machinery, and while still a young child he learned to drive the steam tractors and locomotive used on his family's plantation. He was also a fan of Jules Verne and had read all his books before his tenth birthday. He wrote in his autobiography that the dream of flying came to him while contemplating the magnificent skies of Brazil in the long, sunny afternoons at the plantation.

According to the custom of wealthy families of the time, after receiving basic instruction at home with private instructors (including his parents), young Alberto was sent out alone to larger cities to do his secondary studies. He studied for a while in "Colégio Culto à Ciência", in Campinas.

Move to France
In 1891, Alberto's father had an accident while inspecting some machinery. He fell from his horse and became a paraplegic. He decided then to sell the plantation and move to Europe with his wife and his youngest son. At seventeen, Santos-Dumont left the prestigious Escola de Minas in Ouro Preto, Minas Gerais, for the city Paris in France. The first thing he did there was to buy an automobile. Later, he pursued studies in physics, chemistry, mechanics, and electricity, with the help of a private tutor.

Balloons and dirigibles
Santos-Dumont described himself as the first "sportsman of the air." He started flying by hiring an experienced balloon pilot and took his first balloon rides as a passenger. He quickly moved on to piloting balloons himself, and shortly thereafter to designing his own balloons. In 1898, Santos-Dumont flew his first balloon design, the Brésil.

After numerous balloon flights, he turned to the design of steerable balloons or dirigible type balloons that could be propelled through the air rather than drifting along with the breeze. Between 1898 and 1905 he built and flew 11 dirigibles. With air traffic control restrictions still decades in the future, he would glide along Paris boulevards at rooftop level in one of his airships, commonly landing in front of a fashionable outdoor cafe for lunch. On one occasion he even flew an airship early one morning to his own apartment at No. 9, Rue Washington, just off Avenue des Champs-Élysées not far from the Arc de Triomphe.

The zenith of his lighter-than-air career came when he won the Deutsch de la Meurthe prize. The challenge called for flying from the Parc Saint Cloud to the Eiffel Tower and back in less than thirty minutes. The winner of the prize would need to maintain an average ground speed of at least 22 km/hour (14 mph) to cover the round trip distance of 11 km (6.8 miles) in the allotted time.

After several attempts and trials, Santos-Dumont succeeded on October 19, 1901 using his dirigible Number 6. Immediately after the flight, a controversy broke out around a last minute rule change regarding the precise timing of the flight. There was much public outcry and comment in the press. Finally, after several days of vacilating by the committee of officials, Santos-Dumont was awarded the prize as well as the prize money of 100,000 francs. In a charitable gesture, he donated half of the prize money to the poor of Paris. The other half was given to his workmen as a bonus.

Santos-Dumont's aviation feats made him a celebrity in Europe and throughout the world. He won several more prizes and became a friend to millionaires, aviation pioneers, and royalty. In 1901 he was considered by many to be the most famous person in the world. In 1904, he went to the United States and was invited to the White House to meet US President Theodore Roosevelt. The public eagerly followed his daring exploits. Parisians affectionately dubbed him le petit Santos. The fashionable folk of the day mimicked various aspects of his style of dress from his high collared shirts to singed Panama hat. He was, and remains to this day, a prominent folk hero in his native Brazil.

Heavier than air
Although Santos-Dumont continued to work on dirigibles, his primary interest soon turned to heavier-than-air-craft. By 1905 he had finished his first airplane design, and also a helicopter. He finally achieved his dream of flying on an airplane in October 23 of 1906, when, piloting the 14 Bis before a large crowd of witnesses, he flew a distance of 60 metres (197 ft) at a height of 2-3 m. This well-documented event was the first flight verified by the Aero-Club De France of a powered heavier-than-air machine in Europe, and the first public demonstration in the world of an aircraft taking off from an ordinary airstrip with a non-detachable landing gear and on its own power (self-propelled) in calm weather, proving to the spectators that a machine "heavier than air" could take off from the ground by its own means. With this accomplishment, he won the Archdeacon Prize founded by the Frenchman Ernest Archdeacon in July of 1906, to be awarded to the first aviator to fly more than 25 meters. On November 12 of the same year, Santos-Dumont succeeded in setting the first world record in aviation by flying 220 meters in less than 22 seconds. Both of these events occurred before the Wright Brothers had made any flights to which the public was invited, although the Wright Brothers had made and photographed circular flights of more than half an hour with witnesses at a field next to a public roadway one year earlier near Dayton, Ohio.

The 14bis on its historic first flight.Santos-Dumont made numerous contributions to the field of aircraft control. The most noteworthy one was the use of effective ailerons at the outer wings. Although ailerons had been used in sailplanes before, Dumont pioneered their application for aircraft. He also pushed for and exploited substantial improvements in engine power-to-weight ratio, and other refinements in aircraft construction techniques.

Santos-Dumont's final design was the Demoiselle monoplane. This aircraft was employed as Dumont's personal transportation and he willingly let others make use of his design. The fuselage consisted of a specially reinforced bamboo boom, and the pilot sat beneath between the main wheels of a tricycle landing gear. The Demoiselle was controlled in flight partially by a tail unit that functioned both elevator and rudder and by wing warping.

The high-wing Demoiselle aircraft had a wingspan of 5.10 m and an overall length of 8 m. Its weight was little more than 110 kg with Santos-Dumont at the controls. The pilot was seated below the fuselage-wing junction, just behind the wheels, and commanded the tail surfaces using a steering wheel. The cables of sustentation of the wing were made of piano ropes. Initially, Santos-Dumont employed a liquid-cooled Dutheil & Chalmers engine with 20 hp. Later, the inventor repositioned the engine to a lower location, placing it in front of the pilot. Santos-Dumont also replaced the former 20-hp engine by a 24-hp Antoniette and carried out some wing reinforcements. This version received the designation No. 20. Due to structural problems and continuing lack of power Santos-Dumont introduced additional modifications in Demoiselle’s design: a triangular and shortened fuselage made of bamboo; the engine was moved back to its original position, in front of the wing; and increased wingspan. Santos-Dumont tested opposed-cylinder (he patented a solution for cooling this kind of engine) and cooled-water engines, with power settings ranging from 20 to 40 hp, in the two variants. An interesting feature of the water-cooled variant was the liquid-coolant pipeline which followed the wing lower side lofting to improve aerodynamics.

The Demoiselle airplane could be constructed in only fifteen days. Possessing outstanding performance, easily covering 200 m of ground during the initial flights and flying at speeds of more than 100 km/h, the Demoiselle was the last aircraft built by Santos-Dumont. He used to perform flights with the airplane in Paris and some small trips to nearby places. Flights were continued at various times through 1909, including the first cross-country flight with steps of about 8 km, from St. Cyr to Buc on September 13, returning the following day, and another on the 17th, of 18 km in 16 min. The Demoiselle that was fitted with two-cylinder engine became rather popular. The French WWI-ace Roland Garros flew it at the Belmont Park, New York, in 1910. The June 1910 edition of the Popular Mechanics magazine published drawings of the Demoiselle and affirmed that Santos-Dumont's plane was better than any other that had been built to that date, for those who wish to reach results with the least possible expense and with a minimum of experimenting. American companies sold drawings and parts of Demoiselle for several years thereafter. Santos-Dumont was so enthusiastic about aviation that he released the drawings of Demoiselle for free, thinking that aviation would be the mainstream of a new prosperous era for mankind. Clément Bayard, an automotive maker, constructed several units of Demoiselles, which was sold for 50,000 Francs.

The design of Demoiselle clearly influenced that of the Blériot XI airplane, which was used for the British Channel crossing in 1909.

Controversy vis-a-vis Wright brothers
The claim to the first flying machine is still the arena for disputes about definitions, facts, and merits. These polemics are often fueled by strong nationalistic or cultural feelings.

In some countries, particularly Brazil, Santos-Dumont is considered to be the inventor of the airplane, because of the official and of public character of the 14-bis flight as well as some technical points. This has been traditionally the official position of the Brazilian government, especially since the Getúlio Vargas dictatorship. Vargas instituted a department within his government for "Information and Propaganda." This department created schoolbooks praising all things Brazilian; when the Vargas dictatorship ended in 1945, the department-influenced schoolbooks endured.

The strongest technical criticism of the Wrights' early aircraft is that, while it is clear that these aircraft could sustain controlled flight, they always used some sort of assistance to become airborne. The assistance ranged in form from requiring a stiff headwind, the use of launch rails, and/or the use of external thrust (a catapult) to obtain the necessary airspeed for launch. As such, none of the Wrights' early craft took off under their own power in calm wind from an ordinary ground surface as was achieved by the flights of the 14-bis.

In some other countries, particularly the United States, the honor of first effective heavier-than-air flight is most frequently assigned to the Wright brothers for their flight of 39 meters (120 feet) in 12 seconds on December 17, 1903 at Kitty Hawk in North Carolina. Nonetheless, even in these nations there remains a high regard for Santos-Dumont's accomplishments, and a recognition of the 14-bis flight as an important event in early aviation.

Supporters of the Wrights' claim point out that the use of ground rails in particular was necessitated by the Wrights' choice of airfields -- the sand at Kitty Hawk and the rough pasture at Huffman prairie -- rather than the relatively smooth and firm parkland available to Santos-Dumont and was not a reflection of any aerodyamic weakness in their design. Accordingly, the catapult used at Huffman Prairie allowed the use of a relatively short ground rail thus avoiding the time-consuming drudgery of positioning hundreds of feet of rail needed for launches without a catapult.

Supporters of the Wright Flyer claim also point out that 1) although a stiff head wind was required, the aircraft moved under its own power, unassisted by gravity; 2) the Wrights were the first to develop effective aircraft control, which made practical flight possible, even in breezy or windy conditions which are common, as well as in calm conditions. They introduced far superior control mechanisms well before all other winged aircraft, including Santos-Dumont's 14-bis; 3) the Wright Brothers accurately described several principles of flight (including aerodynamics and propeller design) that previous pioneers had either described inaccurately or not at all; 4) the flight has been reproduced experimentally using a painstakingly recreated replica of the original aircraft.

It is this last point, the construction of replicas of the original Wright Flyer, that increased the controversy in recent years. Some of these replicas were modified using modern aerodynamic knowledge to improve their flight characteristics. However, at least one successful replica was built without being so modified. The Wright Experience, through painstaking research of original documents, photographs, and artifacts from the original Flyer (conducted much like an archaeological expedition), is believed to have accurately and precisely recreate it. This project had the stated purpose of building an exact replica of the original aircraft, whether or not it would actually fly. As it turned out, the aircraft did indeed make several successful flights.

Much of the controversy with regard to Santos-Dumont vs. the Wrights arose from the difference in their approaches to publicity. Santos-Dumont made his flights in public, often accompanied by a great deal of fanfare. In contrast, the Wright Brothers were very concerned about protecting their intellectual property and made their early flights in remote locations and without many international aviation officials present. The defense of their flight was also complicated by the jealousies of other American aviation enthusiasts and disputes over patents. In November 1905, the Aero Club of France learned of the Wrights' alleged flight of 24 miles. They sent a correspondent to investigate the Wrights' accounts. In January 1906, members in the Aero Club of France's meeting were stunned by the reports of the Wrights' flights. Archdeacon sent a taunting letter to the Wrights, demanding that they come to France and prove themselves, but the Wrights did not respond. Thus, the aviation world (of which Paris was the center at the time) witnessed the products of Santos-Dumont's work first hand. As a result, many members, French and other Europeans, dismissed the Wrights as frauds (like many others at the time) and assigned Santos-Dumont the accolade of the "first to fly."

In any case, early reports of the Wrights' activities and the disclosure of key design features in their 1904 European patent filings certainly helped many airplane developers in succeeding years, including Santos-Dumont. Moreover, Santos-Dumont's success was aided by improvements in engine power/weight ratio and other advances in materials and construction techniques that had taken place in previous years.

There were many machines that got up into the air in a limited fashion and many variations of heavier-than-air titles to which varying amounts of credit have been awarded by various groups. For example, in the former USSR Aleksandr Fyodorovich Mozhaiski is sometimes credited as a "Father of Aviation", for his powered heavier-than-air machine going airborne (generally recognized as the second such flight in that category) in 1884. The disputes about the proper definition of "powered heavier than air flight" still go on. For example, with regard to gliders fitted with small engines that are used non-continuously; these debates do not extend to methods of take off systems. The issue of assisted takeoff can be an issue with early flights, however, since any help given is more significant for how long they were airborne for short flights.

Just as some seek to broaden the accomplishments of the 14-bis flights, there are others who seek to narrow them, although this is less common. One criticism is that the low altitude at which the 14-bis flew permitted the lift to be augmented by ground effect. The often low flights of many aviation pioneers, including some of the Wrights initial flights, fall prey to a complex debate over classifications of machines that are aided by this phenomenon.

Also, there have been some questions of the Aero-Club De France's conflict of interest concerning their involvement with Santos-Dumont's claim. The questions largely arise from their incomplete knowledge of the Wrights and their involvement with Santos-Dumont.

Santos-Dumont and the wristwatch
The wristwatch had already been invented by Patek Philippe, decades earlier, but Santos-Dumont played an important role popularizing its use by men in the early 1900s. Before him they were generally worn only by women, as men favored pocket watches. As a result, Brazilians consider Santos-Dumont the inventor of the wristwatch for men.

The story goes that in 1904, while celebrating his winning of the Deutsch Prize at Maxim's Restaurant, Santos-Dumont complained to his friend Louis Cartier about the difficulty of checking his pocket watch to time his performance during flight. Santos-Dumont then asked Cartier to come up with an alternative that would allow him to keep both hands on the controls. Cartier went to work on the problem and the result was a watch with a leather band and a small buckle, to be worn on the wrist.

Santos-Dumont never took off again without his personal Cartier wristwatch, and he used it to check his personal record for a 220 m (722 ft) flight, achieved in twenty-one seconds, on November 12, 1906. The Santos-Dumont watch was officially displayed on October 20, 1979 at the Paris Air Museum next to the 1908 Demoiselle, the last aircraft that he built.

Cartier today has a collection of wristwatches honouring Santos-Dumont called Santos de Cartier.

Later years
Santos-Dumont continued to build and fly airplanes. His final flight as a pilot was made in Demoiselle on January 4, 1910. The flight ended in an accident, but the cause was never completely clear. There were few observers and no reporters on the scene.

Santos-Dumont fell seriously ill a few months later. He experienced double vision and vertigo that made it impossible for him to drive, much less fly. He was diagnosed with multiple sclerosis. He abruptly dismissed his staff and closed his workshop. His illness soon led to a deepening depression.

In 1911, Santos-Dumont moved from Paris to the French seaside village of Bénerville where he took up astronomy as a hobby. Some of the local folk, who knew little of his great fame and exploits in Paris just a few years earlier, mistook his German-made telescope and unusual accent as signs (almost certainly false) that he was a German spy who was tracking French naval activity. These suspicions eventually led to Santos-Dumont having his rooms searched by the French military police. Upset by ignominy of the charge, as well as depressed from his illness, he burned all of his papers, plans, and notes. Thus, there is little direct information available about his designs today.

In 1928 (some sources report, 1916) he left France to go back to his country of birth, never to return to Europe. His return to Brazil was marred by tragedy. A dozen members of the Brazilian scientific community boarded a seaplane with the intention of paying a flying welcome to the returning aviator on Cap Arcona. Instead, the seaplane crashed with the loss of all on board. The loss deepened Santos-Dumont's growing despondency.

In Brazil, Santos-Dumont bought a small lot on the side of a hill in the city of Petrópolis, in the mountains near Rio de Janeiro, and built a small house there filled with imaginative mechanical gadgetry.

Controversy regarding private life
Some controversy exists over Santos-Dumont's private life, in particular his sexual orientation. Although he was an active member of the Paris social scene, there are no reports, public or private, of his having been romatically involved with anyone. This has led some to speculate that Santos-Dumont was a homosexual. However, historians have noted that any affair, with either a man or a woman, would have been impossible to keep a secret given Santos-Dumont's notoriety in his time. This lack of any evidence of romantic entanglements have led some to speculate that he was asexual.

Historians have noted that both Wright brothers, around whom much controversy still exists vis-a-vis Santos-Dumont, also had personal lives apparently devoid of any overt sexual activity. However, no comparable suggestions of possible homosexuality have been made about them.

Santos-Dumond did seem to have a particular affection for a married Cuban/American woman named Aída de Acosta. He allowed her to fly his No. 9 airship (Thus she likely became the first woman to pilot a powered aircraft.) and he kept a picture of her on his desk until his death.

Death and beyond
Alberto Santos-Dumont — seriously ill, and said to be depressed over his multiple sclerosis and the use of aircraft in warfare — is believed to have committed suicide by hanging himself in the city of Guarujá in São Paulo, on July 23, 1932. He was buried in the Cemitério São João Batista in Rio de Janeiro. There are many monuments to his work and his house in Petropolis, Brazil is now a museum. He never married nor had any known children.

Cultural influences
Santos-Dumont is a small lunar impact crater that lies in the northern end of the Montes Apenninus range at the eastern edge of the Mare Imbrium

The aviator gives his name to the city of Santos Dumont, in the state of Minas Gerais, Brazil. In this municipality is located the Cabangu farm, where he was born. The Faculdades Santos Dumont is a group of private higher learning colleges in the same city.

The city of Dumont, in the state of São Paulo, near Ribeirão Preto is so named because it is located where it used to be one the largest coffee farms in the world, between 1870 and 1890. The farm was owned by Alberto Santos-Dumont's father, a wealthy engineer of French descent. It was sold in 1896 to a British company, the Dumont Coffee Company.

The airport for domestic flights of Rio de Janeiro is also named after him (Santos Dumont Regional Airport)

The Rodovia Santos Dumont is a highway in the state of São Paulo.

The Brazilian Air Force (Command of Aeronautics) concedes to important personalities in the world of aviation the Santos Dumont Medal of Merit. The state government of Minas Gerais has a similar medal.

Réseau Santos-Dumont is the name of a cooperative university network between France and Brazil, instituted by the French and Brazilian Ministries of Education in 1994, with 26 universities in each country.

The American Office of Naval Research of San Diego, California has named one of its research airships as the 600B Santos Dumont.

The Historic and Cultural Institute of Aeronautics of Brazil has instituted the Santos Dumont Annual Prize of Journalism to the best reports in the media about aeronautics.

Santos-Dumont serves as the inspiration and namesake for a small Coffee and Ice Cream Shop in Milford, New Hampshire.

Lycée Polyvalente Santos-Dumont is a lyceum in Saint-Cloud, France;

Tens of thousands of streets, avenues, plazas, schools, monuments, etc., are dedicated to the national hero in Brazil.

Saturday, January 26, 2013

UNTTLD at Montreal Fashion Week S/S 2013 – September 5, 2012

UNTTLD at Montreal Fashion Week S/S 2013 – September 5, 2012
masters in fashion design
Image by Jason Hargrove
UNTTLD is the ongoing collaborative work of Montreal designers José Manuel St-Jacques and Simon Bélanger.

José graduated at Cégep Marie Victorin in Fashion design before going to Concordia University to perfect his textile knowledge and technique in the Fibre program of the Fine Art faculty.

Simon Bélanger: a graduate of the Fashion Design program of the Lasalle College, went on to do his Masters at the Domus Academy of Milan.

www.unttld.ca

+

Requests to distribute this photo can be made to Mainstream (accredited) > lorraine@mainstre.am

+

Photography by Jason Hargrove

jasonhargrove.com
twitter.com/jasonhargrove


UNTTLD at Montreal Fashion Week S/S 2013 – September 5, 2012
masters in fashion design
Image by Jason Hargrove
UNTTLD is the ongoing collaborative work of Montreal designers José Manuel St-Jacques and Simon Bélanger.

José graduated at Cégep Marie Victorin in Fashion design before going to Concordia University to perfect his textile knowledge and technique in the Fibre program of the Fine Art faculty.

Simon Bélanger: a graduate of the Fashion Design program of the Lasalle College, went on to do his Masters at the Domus Academy of Milan.

www.unttld.ca

+

Requests to distribute this photo can be made to Mainstream (accredited) > lorraine@mainstre.am

+

Photography by Jason Hargrove

jasonhargrove.com
twitter.com/jasonhargrove


UNTTLD at Montreal Fashion Week S/S 2013 – September 5, 2012
masters in fashion design
Image by Jason Hargrove
UNTTLD is the ongoing collaborative work of Montreal designers José Manuel St-Jacques and Simon Bélanger.

José graduated at Cégep Marie Victorin in Fashion design before going to Concordia University to perfect his textile knowledge and technique in the Fibre program of the Fine Art faculty.

Simon Bélanger: a graduate of the Fashion Design program of the Lasalle College, went on to do his Masters at the Domus Academy of Milan.

www.unttld.ca

+

Requests to distribute this photo can be made to Mainstream (accredited) > lorraine@mainstre.am

+

Photography by Jason Hargrove

jasonhargrove.com
twitter.com/jasonhargrove


UNTTLD at Montreal Fashion Week S/S 2013 – September 5, 2012
masters in fashion design
Image by Jason Hargrove
UNTTLD is the ongoing collaborative work of Montreal designers José Manuel St-Jacques and Simon Bélanger.

José graduated at Cégep Marie Victorin in Fashion design before going to Concordia University to perfect his textile knowledge and technique in the Fibre program of the Fine Art faculty.

Simon Bélanger: a graduate of the Fashion Design program of the Lasalle College, went on to do his Masters at the Domus Academy of Milan.

www.unttld.ca

+

Requests to distribute this photo can be made to Mainstream (accredited) > lorraine@mainstre.am

+

Photography by Jason Hargrove

jasonhargrove.com
twitter.com/jasonhargrove


UNTTLD at Montreal Fashion Week S/S 2013 – September 5, 2012
masters in fashion design
Image by Jason Hargrove
UNTTLD is the ongoing collaborative work of Montreal designers José Manuel St-Jacques and Simon Bélanger.

José graduated at Cégep Marie Victorin in Fashion design before going to Concordia University to perfect his textile knowledge and technique in the Fibre program of the Fine Art faculty.

Simon Bélanger: a graduate of the Fashion Design program of the Lasalle College, went on to do his Masters at the Domus Academy of Milan.

www.unttld.ca

+

Requests to distribute this photo can be made to Mainstream (accredited) > lorraine@mainstre.am

+

Photography by Jason Hargrove

jasonhargrove.com
twitter.com/jasonhargrove

Steven F. Udvar-Hazy Center: south hangar panorama, including Air France Concorde, Boeing 307 Stratoliner "Clipper Flying Cloud", De Havilland-Canada DHC-1A Chipmunk Pennzoil Special, Monocoupe 110 Special among others

Steven F. Udvar-Hazy Center: south hangar panorama, including Air France Concorde, Boeing 307 Stratoliner "Clipper Flying Cloud", De Havilland-Canada DHC-1A Chipmunk Pennzoil Special, Monocoupe 110 Special among others
schools with fashion design majors
Image by Chris Devers
Quoting Smithsonian National Air and Space Museum | Monocoupe 110 Special:

Air show pilot and aerobatic champion W. W. "Woody" Edmondson thrilled audiences with his Monocoupe 110 Special throughout the 1940s. Edmondson, who named the airplane Little Butch for its bulldog-like appearance, placed second to "Bevo" Howard and his Bücker Jungmeister in the 1946 and '47 American Aerobatic Championships, but he won the first International Aerobatic Championship in 1948.

The Monocoupe 110 Special was a clipped-wing version of the 110, part of a line that began with Don Luscombe's Mono 22 and continued with the 70, 90, and 110 models. The sport coupes of the 1930s, these fast and maneuverable aircraft were ideal for racers Phoebe Omlie and Johnny Livingston. Ken Hyde of Warrenton, Virginia, restored Little Butch prior to its donation to the Smithsonian.

Gift of John J. McCulloch

Manufacturer:
Monocoupe Airplane Co.

Date:
1941

Country of Origin:
United States of America

Dimensions:
Wingspan: 6.9 m (23 ft.)
Length: 6.2 m (20 ft. 4 in.)
Height: 2.1 m (6 ft. 11 in.)
Weight, empty: 449 kg (991 lbs.)
Weight, gross: 730 kg (1,611 lbs.)
Top speed: 313 km/h (195 mph)
Engine: Warner 185, 200 hp

Materials:
Fuselage: steel tube with fabric cover

Physical Description:
High-wing, 2-seat, 1940's monoplane. Warner Super Scarab 185, 200hp engine. Red with white trim. Clipped wings.

• • • • •

Quoting Smithsonian National Air and Space Museum | De Havilland-Canada DHC-1A Chipmunk, Pennzoil Special:

De Havilland originally designed the Chipmunk after World War II as a primary trainer to replace the venerable Tiger Moth. Among the tens of thousands of pilots who trained in or flew the Chipmunk for pleasure was veteran aerobatic and movie pilot Art Scholl. He flew his Pennzoil Special at air shows throughout the 1970s and early '80s, thrilling audiences with his skill and showmanship and proving that the design was a top-notch aerobatic aircraft.

Art Scholl purchased the DHC-1A in 1968. He modified it to a single-seat airplane with a shorter wingspan and larger vertical fin and rudder, and made other changes to improve its performance. Scholl was a three-time member of the U.S. Aerobatic Team, an air racer, and a movie and television stunt pilot. At air shows, he often flew with his dog Aileron on his shoulder or taxied with him standing on the wing.

Gift of the Estate of Arthur E. Scholl

Manufacturer:
De Havilland Canada Ltd.

Pilot:
Art Scholl

Date:
1946

Country of Origin:
United States of America

Dimensions:
Wingspan: 9.4 m (31 ft)
Length: 7.9 m (26 ft)
Height: 2.1 m (7 ft 1 in)
Weight, empty: 717 kg (1,583 lb)
Weight, gross: 906 kg (2,000 lb)
Top speed: 265 km/h (165 mph)
Engine: Lycoming GO-435, 260 hp

Materials:
Overall: Aluminum Monocoque Physical Description:Single-engine monoplane. Lycoming GO-435, 260 hp engine.

• • • • •

Quoting Smithsonian National Air and Space Museum | Press Release: National Air and Space Museum Receives Boeing S-307 Stratoliner for Display at Steven F. Udvar-Hazy Center, the Museum's New Companion Facility at Dulles Airport:

The Smithsonian's National Air and Space Museum welcomed today (Aug. 6) the sole surviving Boeing S-307 Stratoliner to its new home when the silver pioneering airliner arrived at Washington Dulles International Airport in Virginia for display at the museum's new Steven F. Udvar-Hazy Center. The museum's companion facility, adjacent to the airport, opens to the public Dec. 15.

The luxuriously appointed Stratoliner, built in the late 1930s, was the world's first passenger airplane to be pressurized, allowing it to avoid rough weather by flying at unprecedented altitudes (20,000 feet) for transports of the era.

The airplane has been in the museum's collection since 1972 but because of its size and weight could not be displayed at the museum's flagship building on the National Mall. A team of volunteers and Boeing staff performed extensive restoration work on the airplane in Seattle.

"Visitors to the Udvar-Hazy Center will take one look at this airplane and be transported back to a glamorous age when the world became smaller for the traveler who required speed and luxury," said Gen. J.R. "Jack" Dailey, director of the National Air and Space Museum. "We are indebted to the Boeing restoration team for turning back the clock on this beautiful aircraft."

The Stratoliner arrived in Northern Virginia following an appearance at the Experimental Aircraft Association's annual Fly-In at Oshkosh, Wisc. The airplane flew from Allegheny County Airport near Pittsburgh, where it landed August 5th because of bad weather.

With a wingspan of 107 feet and a cabin nearly 12 feet wide, the Clipper Flying Cloud will be exhibited at ground level in the Udvar-Hazy (pronounced OOD-var HAH-zee) Center aviation hangar.

[...]

The Clipper Flying Cloud was delivered to Pan American Airways with two others in 1940. The aircraft carried 33 passengers and a crew of five. The Pan American Airways airplane was reconfigured to seat 45 passengers. Stratoliners included space for berths for overnight travel; paneling in the cabin and lavatory; wall fabric featuring the Pan Am logo, world map and exotic animals; and eight divans.

The Clipper Flying Cloud began service flying Caribbean routes for two years. During World War II, it flew in South America under the direction of the U.S. Army Air Forces. In 1946, it made daily runs between New York and Bermuda. Throughout the next two decades it passed through the hands of several owners, and once served as a presidential plane for the notorious Haitian leader "Papa Doc" Duvalier. After its Haitian sojourn, the Clipper Flying Cloud landed in Arizona.

In 1969, a visiting National Air and Space Museum curator spotted the airplane in Arizona and immediately recognized its historic significance, even while its then-owner planned to convert it into a fire bomber. The Smithsonian subsequently acquired the aircraft and later made arrangements with the Boeing Company for the restoration, dubbed "Operation Flying Cloud," at the Seattle plant where the Stratoliner was originally built.

Boeing technicians and former Pan American employees voluntarily spent six years completely restoring the Stratoliner before it made an emergency landing in Elliott Bay in 2002. Since then, the restoration team has performed additional work so that visitors to the Udvar-Hazy Center will have the opportunity to view the aircraft as it looked the day it rolled off the assembly line more than 60 years ago.

• • • • •

Quoting Smithsonian National Air and Space Museum | Concorde, Fox Alpha, Air France:

The first supersonic airliner to enter service, the Concorde flew thousands of passengers across the Atlantic at twice the speed of sound for over 25 years. Designed and built by Aérospatiale of France and the British Aviation Corporation, the graceful Concorde was a stunning technological achievement that could not overcome serious economic problems.

In 1976 Air France and British Airways jointly inaugurated Concorde service to destinations around the globe. Carrying up to 100 passengers in great comfort, the Concorde catered to first class passengers for whom speed was critical. It could cross the Atlantic in fewer than four hours - half the time of a conventional jet airliner. However its high operating costs resulted in very high fares that limited the number of passengers who could afford to fly it. These problems and a shrinking market eventually forced the reduction of service until all Concordes were retired in 2003.

In 1989, Air France signed a letter of agreement to donate a Concorde to the National Air and Space Museum upon the aircraft's retirement. On June 12, 2003, Air France honored that agreement, donating Concorde F-BVFA to the Museum upon the completion of its last flight. This aircraft was the first Air France Concorde to open service to Rio de Janeiro, Washington, D.C., and New York and had flown 17,824 hours.

Gift of Air France.

Manufacturer:
Societe Nationale Industrielle Aerospatiale
British Aircraft Corporation

Dimensions:
Wingspan: 25.56 m (83 ft 10 in)
Length: 61.66 m (202 ft 3 in)
Height: 11.3 m (37 ft 1 in)
Weight, empty: 79,265 kg (174,750 lb)
Weight, gross: 181,435 kg (400,000 lb)
Top speed: 2,179 km/h (1350 mph)
Engine: Four Rolls-Royce/SNECMA Olympus 593 Mk 602, 17,259 kg (38,050 lb) thrust each
Manufacturer: Société Nationale Industrielle Aérospatiale, Paris, France, and British Aircraft Corporation, London, United Kingdom

Physical Description:
Aircaft Serial Number: 205. Including four (4) engines, bearing respectively the serial number: CBE066, CBE062, CBE086 and CBE085.
Also included, aircraft plaque: "AIR FRANCE Lorsque viendra le jour d'exposer Concorde dans un musee, la Smithsonian Institution a dores et deja choisi, pour le Musee de l'Air et de l'Espace de Washington, un appariel portant le couleurs d'Air France."


Steven F. Udvar-Hazy Center: south hangar panorama, including De Havilland-Canada DHC-1A Chipmunk Pennzoil Special, Monocoupe 110 Special, Boeing 307, among others
schools with fashion design majors
Image by Chris Devers
Quoting Smithsonian National Air and Space Museum | Monocoupe 110 Special:

Air show pilot and aerobatic champion W. W. "Woody" Edmondson thrilled audiences with his Monocoupe 110 Special throughout the 1940s. Edmondson, who named the airplane Little Butch for its bulldog-like appearance, placed second to "Bevo" Howard and his Bücker Jungmeister in the 1946 and '47 American Aerobatic Championships, but he won the first International Aerobatic Championship in 1948.

The Monocoupe 110 Special was a clipped-wing version of the 110, part of a line that began with Don Luscombe's Mono 22 and continued with the 70, 90, and 110 models. The sport coupes of the 1930s, these fast and maneuverable aircraft were ideal for racers Phoebe Omlie and Johnny Livingston. Ken Hyde of Warrenton, Virginia, restored Little Butch prior to its donation to the Smithsonian.

Gift of John J. McCulloch

Manufacturer:
Monocoupe Airplane Co.

Date:
1941

Country of Origin:
United States of America

Dimensions:
Wingspan: 6.9 m (23 ft.)
Length: 6.2 m (20 ft. 4 in.)
Height: 2.1 m (6 ft. 11 in.)
Weight, empty: 449 kg (991 lbs.)
Weight, gross: 730 kg (1,611 lbs.)
Top speed: 313 km/h (195 mph)
Engine: Warner 185, 200 hp

Materials:
Fuselage: steel tube with fabric cover Physical Description:High-wing, 2-seat, 1940's monoplane. Warner Super Scarab 185, 200hp engine. Red with white trim. Clipped wings.

• • • • •

Quoting Smithsonian National Air and Space Museum | De Havilland-Canada DHC-1A Chipmunk, Pennzoil Special:

De Havilland originally designed the Chipmunk after World War II as a primary trainer to replace the venerable Tiger Moth. Among the tens of thousands of pilots who trained in or flew the Chipmunk for pleasure was veteran aerobatic and movie pilot Art Scholl. He flew his Pennzoil Special at air shows throughout the 1970s and early '80s, thrilling audiences with his skill and showmanship and proving that the design was a top-notch aerobatic aircraft.

Art Scholl purchased the DHC-1A in 1968. He modified it to a single-seat airplane with a shorter wingspan and larger vertical fin and rudder, and made other changes to improve its performance. Scholl was a three-time member of the U.S. Aerobatic Team, an air racer, and a movie and television stunt pilot. At air shows, he often flew with his dog Aileron on his shoulder or taxied with him standing on the wing.

Gift of the Estate of Arthur E. Scholl

Manufacturer:
De Havilland Canada Ltd.

Pilot:
Art Scholl

Date:
1946

Country of Origin:
United States of America

Dimensions:
Wingspan: 9.4 m (31 ft)
Length: 7.9 m (26 ft)
Height: 2.1 m (7 ft 1 in)
Weight, empty: 717 kg (1,583 lb)
Weight, gross: 906 kg (2,000 lb)
Top speed: 265 km/h (165 mph)
Engine: Lycoming GO-435, 260 hp

Materials:
Overall: Aluminum Monocoque Physical Description:Single-engine monoplane. Lycoming GO-435, 260 hp engine.

• • • • •


Quoting Smithsonian National Air and Space Museum | Press Release: National Air and Space Museum Receives Boeing S-307 Stratoliner for Display at Steven F. Udvar-Hazy Center, the Museum's New Companion Facility at Dulles Airport:

The Smithsonian's National Air and Space Museum welcomed today (Aug. 6) the sole surviving Boeing S-307 Stratoliner to its new home when the silver pioneering airliner arrived at Washington Dulles International Airport in Virginia for display at the museum's new Steven F. Udvar-Hazy Center. The museum's companion facility, adjacent to the airport, opens to the public Dec. 15.

The luxuriously appointed Stratoliner, built in the late 1930s, was the world's first passenger airplane to be pressurized, allowing it to avoid rough weather by flying at unprecedented altitudes (20,000 feet) for transports of the era.

The airplane has been in the museum's collection since 1972 but because of its size and weight could not be displayed at the museum's flagship building on the National Mall. A team of volunteers and Boeing staff performed extensive restoration work on the airplane in Seattle.

"Visitors to the Udvar-Hazy Center will take one look at this airplane and be transported back to a glamorous age when the world became smaller for the traveler who required speed and luxury," said Gen. J.R. "Jack" Dailey, director of the National Air and Space Museum. "We are indebted to the Boeing restoration team for turning back the clock on this beautiful aircraft."

The Stratoliner arrived in Northern Virginia following an appearance at the Experimental Aircraft Association's annual Fly-In at Oshkosh, Wisc. The airplane flew from Allegheny County Airport near Pittsburgh, where it landed August 5th because of bad weather.

With a wingspan of 107 feet and a cabin nearly 12 feet wide, the Clipper Flying Cloud will be exhibited at ground level in the Udvar-Hazy (pronounced OOD-var HAH-zee) Center aviation hangar.

[...]

The Clipper Flying Cloud was delivered to Pan American Airways with two others in 1940. The aircraft carried 33 passengers and a crew of five. The Pan American Airways airplane was reconfigured to seat 45 passengers. Stratoliners included space for berths for overnight travel; paneling in the cabin and lavatory; wall fabric featuring the Pan Am logo, world map and exotic animals; and eight divans.

The Clipper Flying Cloud began service flying Caribbean routes for two years. During World War II, it flew in South America under the direction of the U.S. Army Air Forces. In 1946, it made daily runs between New York and Bermuda. Throughout the next two decades it passed through the hands of several owners, and once served as a presidential plane for the notorious Haitian leader "Papa Doc" Duvalier. After its Haitian sojourn, the Clipper Flying Cloud landed in Arizona.

In 1969, a visiting National Air and Space Museum curator spotted the airplane in Arizona and immediately recognized its historic significance, even while its then-owner planned to convert it into a fire bomber. The Smithsonian subsequently acquired the aircraft and later made arrangements with the Boeing Company for the restoration, dubbed "Operation Flying Cloud," at the Seattle plant where the Stratoliner was originally built.

Boeing technicians and former Pan American employees voluntarily spent six years completely restoring the Stratoliner before it made an emergency landing in Elliott Bay in 2002. Since then, the restoration team has performed additional work so that visitors to the Udvar-Hazy Center will have the opportunity to view the aircraft as it looked the day it rolled off the assembly line more than 60 years ago.


Concorde!
schools with fashion design majors
Image by Chris Devers
Posted via email to ☛ HoloChromaCinePhotoRamaScope‽: cdevers.posterous.com/concorde. See the full gallery on Posterous ...

• • • • •

Quoting Smithsonian National Air and Space Museum | Concorde, Fox Alpha, Air France:

The first supersonic airliner to enter service, the Concorde flew thousands of passengers across the Atlantic at twice the speed of sound for over 25 years. Designed and built by Aérospatiale of France and the British Aviation Corporation, the graceful Concorde was a stunning technological achievement that could not overcome serious economic problems.

In 1976 Air France and British Airways jointly inaugurated Concorde service to destinations around the globe. Carrying up to 100 passengers in great comfort, the Concorde catered to first class passengers for whom speed was critical. It could cross the Atlantic in fewer than four hours - half the time of a conventional jet airliner. However its high operating costs resulted in very high fares that limited the number of passengers who could afford to fly it. These problems and a shrinking market eventually forced the reduction of service until all Concordes were retired in 2003.

In 1989, Air France signed a letter of agreement to donate a Concorde to the National Air and Space Museum upon the aircraft's retirement. On June 12, 2003, Air France honored that agreement, donating Concorde F-BVFA to the Museum upon the completion of its last flight. This aircraft was the first Air France Concorde to open service to Rio de Janeiro, Washington, D.C., and New York and had flown 17,824 hours.

Gift of Air France.

Manufacturer:
Societe Nationale Industrielle Aerospatiale
British Aircraft Corporation

Dimensions:
Wingspan: 25.56 m (83 ft 10 in)
Length: 61.66 m (202 ft 3 in)
Height: 11.3 m (37 ft 1 in)
Weight, empty: 79,265 kg (174,750 lb)
Weight, gross: 181,435 kg (400,000 lb)
Top speed: 2,179 km/h (1350 mph)
Engine: Four Rolls-Royce/SNECMA Olympus 593 Mk 602, 17,259 kg (38,050 lb) thrust each
Manufacturer: Société Nationale Industrielle Aérospatiale, Paris, France, and British Aircraft Corporation, London, United Kingdom

Physical Description:
Aircaft Serial Number: 205. Including four (4) engines, bearing respectively the serial number: CBE066, CBE062, CBE086 and CBE085.
Also included, aircraft plaque: "AIR FRANCE Lorsque viendra le jour d'exposer Concorde dans un musee, la Smithsonian Institution a dores et deja choisi, pour le Musee de l'Air et de l'Espace de Washington, un appariel portant le couleurs d'Air France."


Steven F. Udvar-Hazy Center: south hangar panorama, including Air France Concorde, De Havilland-Canada DHC-1A Chipmunk Pennzoil Special among others
schools with fashion design majors
Image by Chris Devers
Quoting Smithsonian National Air and Space Museum | Concorde, Fox Alpha, Air France:

The first supersonic airliner to enter service, the Concorde flew thousands of passengers across the Atlantic at twice the speed of sound for over 25 years. Designed and built by Aérospatiale of France and the British Aviation Corporation, the graceful Concorde was a stunning technological achievement that could not overcome serious economic problems.

In 1976 Air France and British Airways jointly inaugurated Concorde service to destinations around the globe. Carrying up to 100 passengers in great comfort, the Concorde catered to first class passengers for whom speed was critical. It could cross the Atlantic in fewer than four hours - half the time of a conventional jet airliner. However its high operating costs resulted in very high fares that limited the number of passengers who could afford to fly it. These problems and a shrinking market eventually forced the reduction of service until all Concordes were retired in 2003.

In 1989, Air France signed a letter of agreement to donate a Concorde to the National Air and Space Museum upon the aircraft's retirement. On June 12, 2003, Air France honored that agreement, donating Concorde F-BVFA to the Museum upon the completion of its last flight. This aircraft was the first Air France Concorde to open service to Rio de Janeiro, Washington, D.C., and New York and had flown 17,824 hours.

Gift of Air France.

Manufacturer:
Societe Nationale Industrielle Aerospatiale
British Aircraft Corporation

Dimensions:
Wingspan: 25.56 m (83 ft 10 in)
Length: 61.66 m (202 ft 3 in)
Height: 11.3 m (37 ft 1 in)
Weight, empty: 79,265 kg (174,750 lb)
Weight, gross: 181,435 kg (400,000 lb)
Top speed: 2,179 km/h (1350 mph)
Engine: Four Rolls-Royce/SNECMA Olympus 593 Mk 602, 17,259 kg (38,050 lb) thrust each
Manufacturer: Société Nationale Industrielle Aérospatiale, Paris, France, and British Aircraft Corporation, London, United Kingdom

Physical Description:
Aircaft Serial Number: 205. Including four (4) engines, bearing respectively the serial number: CBE066, CBE062, CBE086 and CBE085.
Also included, aircraft plaque: "AIR FRANCE Lorsque viendra le jour d'exposer Concorde dans un musee, la Smithsonian Institution a dores et deja choisi, pour le Musee de l'Air et de l'Espace de Washington, un appariel portant le couleurs d'Air France."

• • • • •

Quoting Smithsonian National Air and Space Museum | Press Release: National Air and Space Museum Receives Boeing S-307 Stratoliner for Display at Steven F. Udvar-Hazy Center, the Museum's New Companion Facility at Dulles Airport:

The Smithsonian's National Air and Space Museum welcomed today (Aug. 6) the sole surviving Boeing S-307 Stratoliner to its new home when the silver pioneering airliner arrived at Washington Dulles International Airport in Virginia for display at the museum's new Steven F. Udvar-Hazy Center. The museum's companion facility, adjacent to the airport, opens to the public Dec. 15.

The luxuriously appointed Stratoliner, built in the late 1930s, was the world's first passenger airplane to be pressurized, allowing it to avoid rough weather by flying at unprecedented altitudes (20,000 feet) for transports of the era.

The airplane has been in the museum's collection since 1972 but because of its size and weight could not be displayed at the museum's flagship building on the National Mall. A team of volunteers and Boeing staff performed extensive restoration work on the airplane in Seattle.

"Visitors to the Udvar-Hazy Center will take one look at this airplane and be transported back to a glamorous age when the world became smaller for the traveler who required speed and luxury," said Gen. J.R. "Jack" Dailey, director of the National Air and Space Museum. "We are indebted to the Boeing restoration team for turning back the clock on this beautiful aircraft."

The Stratoliner arrived in Northern Virginia following an appearance at the Experimental Aircraft Association's annual Fly-In at Oshkosh, Wisc. The airplane flew from Allegheny County Airport near Pittsburgh, where it landed August 5th because of bad weather.

With a wingspan of 107 feet and a cabin nearly 12 feet wide, the Clipper Flying Cloud will be exhibited at ground level in the Udvar-Hazy (pronounced OOD-var HAH-zee) Center aviation hangar.

[...]

The Clipper Flying Cloud was delivered to Pan American Airways with two others in 1940. The aircraft carried 33 passengers and a crew of five. The Pan American Airways airplane was reconfigured to seat 45 passengers. Stratoliners included space for berths for overnight travel; paneling in the cabin and lavatory; wall fabric featuring the Pan Am logo, world map and exotic animals; and eight divans.

The Clipper Flying Cloud began service flying Caribbean routes for two years. During World War II, it flew in South America under the direction of the U.S. Army Air Forces. In 1946, it made daily runs between New York and Bermuda. Throughout the next two decades it passed through the hands of several owners, and once served as a presidential plane for the notorious Haitian leader "Papa Doc" Duvalier. After its Haitian sojourn, the Clipper Flying Cloud landed in Arizona.

In 1969, a visiting National Air and Space Museum curator spotted the airplane in Arizona and immediately recognized its historic significance, even while its then-owner planned to convert it into a fire bomber. The Smithsonian subsequently acquired the aircraft and later made arrangements with the Boeing Company for the restoration, dubbed "Operation Flying Cloud," at the Seattle plant where the Stratoliner was originally built.

Boeing technicians and former Pan American employees voluntarily spent six years completely restoring the Stratoliner before it made an emergency landing in Elliott Bay in 2002. Since then, the restoration team has performed additional work so that visitors to the Udvar-Hazy Center will have the opportunity to view the aircraft as it looked the day it rolled off the assembly line more than 60 years ago.

• • • • •

Quoting Smithsonian National Air and Space Museum | De Havilland-Canada DHC-1A Chipmunk, Pennzoil Special:

De Havilland originally designed the Chipmunk after World War II as a primary trainer to replace the venerable Tiger Moth. Among the tens of thousands of pilots who trained in or flew the Chipmunk for pleasure was veteran aerobatic and movie pilot Art Scholl. He flew his Pennzoil Special at air shows throughout the 1970s and early '80s, thrilling audiences with his skill and showmanship and proving that the design was a top-notch aerobatic aircraft.

Art Scholl purchased the DHC-1A in 1968. He modified it to a single-seat airplane with a shorter wingspan and larger vertical fin and rudder, and made other changes to improve its performance. Scholl was a three-time member of the U.S. Aerobatic Team, an air racer, and a movie and television stunt pilot. At air shows, he often flew with his dog Aileron on his shoulder or taxied with him standing on the wing.

Gift of the Estate of Arthur E. Scholl

Manufacturer:
De Havilland Canada Ltd.

Pilot:
Art Scholl

Date:
1946

Country of Origin:
United States of America

Dimensions:
Wingspan: 9.4 m (31 ft)
Length: 7.9 m (26 ft)
Height: 2.1 m (7 ft 1 in)
Weight, empty: 717 kg (1,583 lb)
Weight, gross: 906 kg (2,000 lb)
Top speed: 265 km/h (165 mph)
Engine: Lycoming GO-435, 260 hp

Materials:
Overall: Aluminum Monocoque Physical Description:Single-engine monoplane. Lycoming GO-435, 260 hp engine.


Steven F. Udvar-Hazy Center: Photomontage of Overview of the south hangar, including B-29 "Enola Gay" and Concorde
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Image by Chris Devers